SEA & SEA CONVERTER III

This converter is equipped with

a TTL PCB that connects a Nikon

digital SLR with SEA&SEA YS Series

strobes and uses the camera’s

TTL flash adjustment to control the

amount of light put out by the strobe.

The converter allows quick

switching between TTL and manual

mode from outside the camera. You

can use the TTL correction dial to

adjust the amount of strobe light for

the next shot. Because the converter

comes with two separate strobe

connectors, you can use advanced

automatic TTL flash adjustment with

two strobes.

Light and Motion’s new line of

solid state LED lights are an industry

breakthrough. These 1000 lumen

lights deliver light, more reliably

and efficiently than the HID lights

they replace. Our 1000 lumen light

consumes less than 12 watts of power,

while delivering almost the same light

output as our 22 watt HID.

Solid state construction means

extremely rugged, nothing to break—

no need to open the light head.

Completely reliable with 9 separate

LED’s in each light head (18 total per

system). Our LEDs are rated by the

manufacturer at 50,000 hours service

life. You should never need to replace

a bulb again

www.uwimaging.com

chocolate

NEW PRODUCT for The Underwater photography

Ikelite AutoFlash

AF35

The Auto Flash AF35 kit is an

effortless and affordable way to add a

flash to your point-and-shoot camera

system. Everything you need to get

started is in the box - just attach it to

the bottom of your housing and start

taking pictures!

Single or dual trays attach

directly to most housings for pointand-

shoot digital cameras. Mounting

hardware is also included for use with

most housings from Olympus, Canon

and Sony.

No tools are needed to remove

handle, arm and strobe assembly from

the tray for packing. The system is

lightweight above water for travel

and approximately neutrally buoyant

underwater when attached to an

Ikelite housing with camera.

The exposure selector dial on the

side of the sensor provides fine-tuning

to optimize results with a variety of

digital still cameras. Once you find

an exposure level that you like, leave

the dial on that number for automatic

operation.

For advanced users, the

selector dial can be used as exposure

compensation while remaining in

automatic mode. The flash also

features six manual power settings for

full control over exposure.

www.ikelite.com

did you know.......

It's a large and high resolution camera in the world.

This camera made in Seitz Panoramic picture with grab ably with high resolution mega pixel 160.
Seitz 6 x 17 digital technology trends out of the things I have a small contructure. the 6x17 camera symbol on the name indicating that it can take the picture with a maximum sizes.

"i think that well enough for giving photograph lovers with a large size and high resolution. final suggestion, you must have trained muscle made sure to save you from injured ..... ha .... ha ...... .

The new flagship Nikon D3X digital SLR offers 24.5 mega pixel resolution, a five fps burst mode, and have a hefty price tag.
Nikon has intriduced its new top of the line digital SLR camera, Nikon D3X with 24,5 megapixel FX format DSLR that offer continuous 5 frames per second shooting at full resolutions, along with acomplete slide of high end features sure to please professional photogrphers and simply the rest of us.

The D3X can capture images 12 bit or 14 bit resolution to ensure high image quality.
the new 24.5megapixel FX format D3X Digital SLR privides the extreme resolution and high dynamic range capabilities needed to meet the exra-ordinary needs of photographic disciplines such as high fashion, commercial advertising and fine art. the D3X delivers this remarkable capability while fitting seamlessly within the nikon system, taking full advantage of Nikon's world renowned collection of NIKKOR lenses and speed Lights.

A full overview of features is impossible here, but a few highlights include a 51 point Auto Focus system, two live view mode for handheld and tripod use.27 X zoom on the 3" priview LCD screen for framing shots. virtual horizon on the viewfinder, ISO sensitivity down to 1600 with expansion option taking it down to ISO 6400.
Video output NTSC, PAL, HDMI, USB connectivity, Dual CF Card slots, NIKKOR lens, speed Lights. the unit also offer in camera image editing: including trim, color balance, filter effects, red eye connection, and monochrome settings,external flash shoe, self timer,voice memo function.

Camera Pricelist

NIKON D40 digital camera + lens 18 - 55 mm
price : Rp. 4.700.000,00







CANON E.O.S 40D SLR 10,1 megapixel ( camera/lens type : interchangeable. )

price : Rp. 5.000.000,00





NIKON D60 SLR digital camera + lens 18 - 55mm VR

price : Rp. 6.870.000,00

Digital Camera

ALL ABOUT CAMERA

Photographers control the camera and lens to "expose" the light recording material such as film to the required amount of light to form (on film) or "raw file" in digital cameras

which, after appropriate processing, is converted to a usable image. Digital cameras replace film with an electronic sensor based on light-sensitive electronics such as charge-coupled device or complementary metal-oxide-semiconductor technology. The resulting digital image is stored electronically, but can be reproduced on paper or film.

The is a type of photographic camera which takes a rapid sequence of photographs on strips of film. In contrast to a still camera, which captures a single snapshot at a time, the movie camera takes a series of images, each called a "frame". This is accomplished through an intermittent mechanism. The frames are later played back in a movie projector at a specific speed, called the "frame rate" (number of frames per second). While viewing, a person's eyes and brain merge the separate pictures together to create the illusion of motion.

In all but certain specialized cameras, the process of obtaining a usable exposure must involve the use, manually or automatically, of a few controls to ensure the photograph is clear, sharp and well illuminated. The controls usually include but are not limited to the following:

*FOCUS - the adjustment to place the sharpest focus where it is desired on the subject
* APERTURE – adjustment of the iris, measured as F- number, which controls the amount of light passing through the lens. Aperture also has an effect on focus and depth of field namely, the smaller the opening aperture, the less light but the greater the depth of field--that is, the greater the range within which objects appear to be sharply focused. The current focal length divided by the f-number gives the actual aperture size in millimeters.
* SHUTTER SPEED – adjustment of the speed (often expressed either as fractions of seconds or as an angle, with mechanical shutters) of the shutter to control the amount of time during which the imaging medium is exposed to light for each exposure. Shutter speed may be used to control the amount of light striking the image plane; 'faster' shutter speeds (that is, those of shorter duration) decrease both the amount of light and the amount of image blurring from motion of the subject and/or camera.
* WHITE BALANCE – on digital cameras, electronic compensation for the color temperature associated with a given set of lighting conditions, ensuring that white light is registered as such on the imaging chip and therefore that the colors in the frame will appear natural. On mechanical, film-based cameras, this function is served by the operator's choice of film stock or with color correction filters. In addition to using white balance to register natural coloration of the image, photographers may employ white balance to aesthetic end, for example white balancing to a blue object in order to obtain a warm color temperature.
* METERING – measurement of exposure so that highlights and shadows are exposed according to the photographer's wishes. Many modern cameras meter and set exposure automatically. Before automatic exposure, correct exposure was accomplished with the use of a separate Light metering device or by the photographer's knowledge and experience of gauging correct settings. To translate the amount of light into a usable aperture and shutter speed, the meter needs to adjust for the sensitivity of the film or sensor to light. This is done by setting the "film speed" or ISO sensitivity into the meter.
* ISO– traditionally used to "tell the camera" the Film speed of the selected film on film cameras, ISO speeds are employed on modern digital cameras as an indication of the system's GAIN from light to numerical output and to control the automatic exposure system. A correct combination of ISO speed, aperture, and shutter speed leads to an image that is neither too dark nor too light.
* Auto Focus point – on some cameras, the selection of a point in the imaging frame upon which the auto-focus system will attempt to focus. Many Single Lens Reflex Camera (SLR) feature multiple auto-focus points in the viewfinder.

Many other elements of the imaging device itself may have a pronounced effect on the quality and or aesthetic effect of a given photograph; among them are:
* Focal length and type of lens ( Telephoto or "long" lens, Macro, Wide angle, Fisheye,
or Zoom )
* Filters placed between the subject and the light recording material, either in front of or behind the lens
* Inherent sensitivity of the medium to light intensity and color/wavelengths.
* The nature of the light recording material, for example its resolution as measured in pixels or grains of Silver halide. .